Abstracción del paisaje a través del arte textil y la pintura
Abstractions of the landscape through textile art and painting
Entre senderos y ríos, 2025
111 × 98 cm.
16 × 12 cm.
The project Sur l’Utopie undertakes a profound inquiry into the mountain as an ancestral symbol present across multiple artistic traditions and cultures, both Eastern and Western. Understood as an archetype of the collective unconscious, this figure embodies longing, refuge, and the unattainable, opening a space for reflection between the visible and the void.
Sur l’Utopie - Abstracción de un paisaje (I) , 2026
22 x 16 cm.
Sur l’Utopie - Abstracción de un paisaje (II) , 2026
Sinergias entre el bordado y la pintura
22 x 16 cm.
16 × 12 cm.
Sur l’Utopie - Abstracción de un paisaje
(III) (IV) (V) (VI) (VII), 2025 - 2026
16 x 12 cm.
Sur l’Utopie - Abstracción de un río, 2025
32 × 31 cm.
16 × 12 cm.
Relativo a la mímesis, 2026
136 x 112 cm.
Hand embroidery on cotton dyed with carrot skins, parsnip, and bay leaves
15 x 20 cm.
02. Apuntes del paisaje II, 2026
Hand embroidery on cotton dyed with eucalyptus, oak, and sunflower petals
15 x 20 cm.
03. Apuntes del paisaje III, 2026
Hand embroidery on cotton dyed with eucalyptus, oak, and sunflower petals
15 x 20 cm.
04. Apuntes del paisaje IV, 2026
Hand embroidery on cotton dyed with carrot skins, parsnip, and bay leaves
15 x 20 cm.
05. Apuntes del paisaje V, 2026
Hand embroidery on coffee-dyed linen
15 x 20 cm.
06. Apuntes del paisaje IV, 2026
Hand embroidery on fabric dyed with hawthorn flower yellow, oak, and ivy
15 x 20 cm.
Teñida con flores y plantas silvestres recolectadas en distintos parajes, cada pieza conserva la impronta de su origen. Los pigmentos vegetales establecen un vínculo entre color, materia y territorio, de modo que cada fragmento porta la memoria silenciosa del lugar del que procede.
El bordado aparece después como un gesto de observación y evocación. A través del hilo, las formas percibidas en la naturaleza se desplazan hacia composiciones abstractas que no buscan representar el paisaje, sino sugerirlo. Así, los tintes naturales y el hilo inscriben el entorno en la fibra. El paisaje no se refleja como una imagen dibujada, sino como una presencia que puede ser recordada y revivida.
Apuntes del paisaje is inspired by the travel postcard, reimagined in textiles. Rather than capturing a place through words or images, the fabric itself becomes a trace, an imprint, and a memory of the landscape.
Dyed with wildflowers and plants gathered from different places, each piece retains the imprint of its origin. The botanical pigments establish a connection between colour, material, and place, allowing every textile fragment to carry the quiet memory of the landscape from which it comes.
The embroidery emerges as a gesture of observation and evocation. Through thread, forms perceived in nature are translated into abstract compositions that do not seek to depict the landscape, but to suggest it. In this way, natural dyes and stitching inscribe the environment into the fabric. The landscape is not presented as a drawn image, but as a presence that can be remembered and experienced anew.
Tao, 2025
61 x 58 cm. / 16 x 12 cm.
Tao explora la abstracción de distintos elementos naturales, donde la montaña y el agua se representan simbólicamente a través del diálogo entre pintura e hilo.
Tao explores the abstraction of various natural elements, where the mountain and water are symbolically represented through the dialogue between painting and thread.
40 x 25 cm.
Rojo montaña is a diptych in which the color red redefines the abstract shapes of the mountains, delving into the abstraction of the landscape, visual interplay, and the shaping of forms through emptiness.
22 x 16 cm. each
01. Como un río, inspired by The Second Elegy (The Druino Elegies) by Rainer Maria Rilke.
02. De un Fulgor, inspired by the poem, De un fulgor a otro by Ida Vitale.
03. La vie, inspired by a quote from Arthur Rimbaud: Changer la vie.
No esperemos a Godot is a series of three works that brings together textile and literature. The title is derived from Samuel Beckett’s En attendant Godot, written in the late 1940s. The selected authors, Rainer Maria Rilke, Ida Vitale, and Arthur Rimbaud, share a direct connection to the natural world and a sense of essentialism, which in turn form the conceptual core of these textiles. No esperemos a Godot does not seek to illustrate literary fragments, but rather to explore writing as line: the shapes of the letters engage in a subtle dialogue where textile and word converge.
01. Postales azules, 2024. 100 x 90 cm.
02. Montañas, 2022. 29 x 21 cm.
03. Montañas, 2024. 22 x 16 cm.
04. Rode o Rode, 2021. 22 x 16 cm.
05. Merak, 2021. 22 x 16 cm.
Postales brings together works informed by a range of landscapes, lived, remembered, and imagined. The project reflects on the idea of utopian landscapes, where territory becomes a space of perception, memory
and possibility.
007 | Linaje
Linaje, 2020
01. Raigambre I, II, 2020. 105 x 80 cm.
Linaje, una serie de bordados a mano que exploran la tradición familiar a través del hilo, la memoria y el territorio, buscando lo orgánico de las formas y la textura natural de los materiales.
Linaje is a series of hand-embroideries that explore family tradition through thread, memory, and territory, seeking the organic nature of forms and the natural texture of materials.
Cabaña de baladas, 2020. 66 x 50 cm.
Linaje, 2020. 102,30 x 35,50 cm.
Tierra, 2020. 109 x 56 cm.
01. El rito de las olas I, 2021. 25 x 20 cm.
02. Ave del paraíso, 2020. 22 x 16 cm.
03. A trilhas das estrelas, 2021. 31,50 x 26,50 cm.
04. El rito de las olas II, 2020. 13 x 13 cm.
Odas y Baladas focuses on the sustainability of materials. Through compositions that incorporate organic forms, each piece explores the relationship between textile tradition and contemporary sensibility, placing material texture at the core of both aesthetic and ecological reflection.