Abstracción del paisaje a través del bordado a mano y la pintura
Abstractions of the landscape through hand embroidery and painting
Entre senderos y ríos, 2025
111 × 98 cm.
16 × 12 cm.
The project Sur l’Utopie undertakes a profound inquiry into the mountain as an ancestral symbol present across multiple artistic traditions and cultures, both Eastern and Western. Understood as an archetype of the collective unconscious, this figure embodies longing, refuge, and the unattainable, opening up a space for reflection between the visible and the void.
Sur l’Utopie - Abstracción de un paisaje (II) , 2026
Sinergias entre el bordado y la pintura
22 x 16 cm.
16 × 12 cm.
Sur l’Utopie - Abstracción de un paisaje (II) , 2026
Sinergias entre el bordado y la pintura
22 x 16 cm.
16 × 12 cm.
16 x 12 cm.
16 x 12 cm.
Sur, 2025
42 x 29,7 cm.
32 × 31 cm.
16 × 12 cm.
Relativo a la mímesis, 2026
136 x 112 cm.
002 | Apuntes del paisaje
Bordado a mano y tintes naturales extraídos de plantas silvestres de diferentes países
Hand embroidery and natural dyes derived from wild plants gathered across different countries.
15 x 20 cm.
Apuntes del paisaje is inspired by the travel postcard, reimagined through textiles and drawings. Rather than capturing a place through words or images, the fabric itself becomes a trace, an imprint, and a memory of the landscape.
Tao, 2025
61 x 58 cm. / 16 x 12 cm.
Tao explora la abstracción de distintos elementos naturales, donde la montaña y el agua se representan simbólicamente a través del diálogo entre pintura e hilo.
Tao explores the abstraction of various natural elements, where the mountain and water are symbolically represented through the dialogue between painting and thread.
40 x 25 cm.
Rojo montaña is a diptych in which the color red redefines the abstract shapes of the mountains, delving into the abstraction of the landscape, visual interplay, and the shaping of forms through emptiness.
22 x 16 cm. each
01. Como un río, inspired by The Second Elegy (The Druino Elegies) by Rainer Maria Rilke.
02. De un Fulgor, inspired by the poem, De un fulgor a otro by Ida Vitale.
03. La vie, inspired by a quote from Arthur Rimbaud: Changer la vie.
No esperemos a Godot is a series of three works that brings together textile and literature. The title is derived from Samuel Beckett’s En attendant Godot, written in the late 1940s. The selected authors, Rainer Maria Rilke, Ida Vitale, and Arthur Rimbaud, share a direct connection to the natural world and a sense of essentialism, which in turn form the conceptual core of these textiles. No esperemos a Godot does not seek to illustrate literary fragments, but rather to explore writing as line: the shapes of the letters engage in a subtle dialogue in which textile and word converge.
01. Postales azules, 2024. 100 x 90 cm.
02. Montañas, 2022. 29 x 21 cm.
03. Montañas, 2024. 22 x 16 cm.
04. Rode o Rode, 2021. 22 x 16 cm.
05. Merak, 2021. 22 x 16 cm.
Postales brings together works informed by a range of landscapes, lived, remembered, and imagined. The project reflects on the idea of utopian landscapes, where territory becomes a space of perception, memory
and possibility.
007 | Linaje
Raigambre I, II, 2020
105 x 80 cm.
Linaje, una serie de bordados a mano que exploran la tradición familiar a través del hilo, la memoria y el territorio, buscando lo orgánico de las formas y la textura natural de los materiales.
Linaje is a series of hand-embroidered works that explore family tradition through thread, memory, and territory, seeking the organic nature of forms and the natural texture of materials.
102,30 x 35,50 cm.
Tierra, 2020
109 x 56 cm.
01. El rito de las olas I, 2021. 25 x 20 cm.
02. Ave del paraíso, 2020. 22 x 16 cm.
03. A trilhas das estrelas, 2021. 31,50 x 26,50 cm.
04. El rito de las olas II, 2020. 13 x 13 cm.
Odas y Baladas focuses on the sustainability of materials. Through compositions that incorporate organic forms, each piece explores the relationship between textile tradition and contemporary sensibility, placing material texture at the core of both aesthetic and ecological reflection.