ALMA

Available works
Bio

A practice where textile and paiting converge, exploring landscape as a space of form and emptiness.

Sur l’Utopie /
Abstractions of the landscape through textile art and painting

Entre senderos y ríos, 2025
111 × 98 cm.
16 × 12 cm.

The project Sur l’Utopie undertakes a profound inquiry into the mountain as an ancestral symbol present across multiple cultures and artistic traditions, both Eastern and Western. Understood as an archetype of the collective unconscious, this figure embodies longing, refuge, and the unattainable, opening a space for reflection between the visible and the void.

Sur l’Utopie /
Abstracción de un paisaje, 2025
22 × 16 cm.
16 × 12 cm.

Sur l’Utopie /
Abstracción de un río, 2025
32 × 31 cm.
16 × 12 cm.

Tao, 2025

61 x 58 cm.
16 x 12 cm.

Tao explores the abstraction of natural motifs, where mountain structures and water-like gestures emerge through the interplay of paint and thread. Surface, texture, and line construct a field of visual tension.

Rojo montaña, 2025
40 x 25 cm. each

Rojo montaña is a diptych in which red defines the emergence of abstract mountain forms. Color and thread construct a field of visual and emotional intensity.

No esperemos a Godot, 2024
22 x 16 cm. each

01. Como un río, inspired by The Second Elegy (The Druino Elegies) by Rainer Maria Rilke.
02. De un Fulgor, inspired by the poem, De un fulgor a otro by Ida Vitale.
03. La vie, inspired by a quote from Arthur Rimbaud: Changer la vie.

No esperemos a Godot is a series of three works that brings together nature and literature. The title derives from Samuel Beckett’s play Waiting for Godot, written in the late 1940s. The selected authors — Rainer Maria Rilke, Ida Vitale, and Arthur Rimbaud — share a direct connection to the natural world and to a sense of essentialism, which likewise constitute the central axes of these textile works.

Instead of illustrating literary fragments, the series explores writing as form: the graphic traces of letters participate in a subtle dialogue, where textile and language converge.

Postales, 2021 - 2024

01. Postales de vida (I), 2024. 100 x 90 cm.
02. Montañas, 2022. 29 x 21 cm.
03. Montañas, 2024. 22 x 16 cm.
04. Rode o Rode, 2021. 22 x 16 cm.
05. Merak, 2021. 22 x 16 cm.

Postales brings together works informed by a range of landscapes — lived, remembered, and imagined. The project reflects on the idea of utopian landscapes, where territory becomes a space of perception, memory, and possibility.

Linaje, 2020 - 2021

01. Linaje, 2020. 102,30 x 35,50 cm.
02. Cabaña de baladas, 2020. 66 x 50 cm.
03. Sur Linen, 2021. 40 x 27 cm.
04. Tierra, 2021. 109 x 56 cm.
05. Raigambre (I) y (II), 2020. 105 x 80 cm.

Linaje is a series comprising five works: Linaje, Cabaña de baladas, Sur Linen, Tierra and Raigambre. The series emphasizes the needle’s fine line as a vehicle for a visual and poetic narrative exploring the notion of familial lineage.

Odas y Baladas, 2020 - 2021

01. El rito de las olas I, 2021. 25 x 20 cm.
02. Ave del paraíso, 2020. 22 x 16 cm.
03. A trilhas das estrelas, 2021. 31,50 x 26,50 cm.
04. El rito de las olas II, 2020. 13 x 13 cm

Odas y Baladas focuses on the sustainability of materials. Through compositions that incorporate organic forms, each piece explores the relationship between textile tradition and contemporary sensibility, placing material practice at the core of both aesthetic and ecological reflection.

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